Our music is completely generated by our proprietary AI engine. It consists of models that generate the composition and how the instruments are performed and produced, all in real time, infinitely. Because the music is created moment to moment, it can react quickly to game events and viewer input.

We train on open source music models along with some fairy dust from our AI engineers, who are all musicians. The instruments we use are licensed from commercial libraries specifically for this purpose.

We plan to work with artists to generate music infinitely in their style. We’ll formulate with them the composition rules and how their instruments should sound. We love that we can get them into the games industry at scale (hard to do without having many sync licensing deals) and share our revenue with them when their music is used.

We are proud to say that we have received the L Certification from AI trade body Fairly Trained which reviewed our AI model and means of acquiring training data and determined that our data sources have proper licensing from rightsholders where required.

We train on open source music models and use licensed instrument libraries. When we are making music in an artist’s style, we have a deal with them and they helped us create that.

The way copyright violations are detected is a minimum amount of seconds of music (around 15, usually) has to be an exact match. It’s done by audio, not by composition, which is why covers are hardly ever detected. Our in-house created music sounds nothing like released, copyrighted music. Where we work with artists, it’s still unlikely to be a match but we have a deal in place if it does.

Infinite Album is co-founded by Ryan Groves (CTO) and Karen Allen (CEO).

Ryan had an early hit in the 2010s with an AI music messaging app called Ditty. It sang your messages to the melody of a song you chose. It was a top 10 app worldwide, licensed music from artists like Lady Gaga, and was sold to Google. Ryan is a co-organizer of the AI Song Contest which celebrates and rewards musicians making music with AI. Ryan holds nine AI music patents and is a musician.

Karen was an advocate of artists’ rights while a digital strategist at the RIAA, who was suing Napster at the time. That battle decided definitively that artists’ rights extend to the internet, and it was right to do that. Since then, she’s helped many digital music startups navigate their early days and was the first one in her industry to understand the power of livestreaming. She built a Twitch channel for an artist friend and from that experience wrote a book called Twitch for Musicians to simplify the process for other artists.

As a company, all of our AI engineers are also musicians. We were chosen to contribute to an open forum on the future of music copyrights and AI that was held by the US Copyright Office. There, we advocated that AI music should have a copyright, that artists’ permission should be sought for training data, and that artists should be compensated when their work is used. We were accepted to participate in the ASCAP AI Music Challenge where we are building our next features and getting mentorship from executives at ASCAP.

We specifically chose to build in an area of AI music that was not possible for artists to create for - composing in real time for an unlimited amount of users for an unlimited amount of hours. We see AI as a way for artists to scale themselves, reach more people, and collect revenue streams that were previously hard for them to reach.

A Vibe is what we call an infinite stream of music. It’s like a song that never ends. You create a Vibe by selecting a musical style and, optionally, a starting emotion. You can hit the regenerate button to try out different versions of your style + emotion.

Once you find a Vibe you love - save it! You can even export Vibes and share the file with other Infinite Album users.